What are the defining moments in our lives - those accidents of fate that change everything?
In this provocative new drama about
coincidence, truth, denial, and the secrets we keep, incredible circumstances
bring two strangers together in a chance meeting that alters their lives forever.
What people said...
“An exciting
production with fantastic performances ...The acting is strong. Kampf as Healy is quite good...strong
character actor. His moments at the lecterns were brilliant. Rebert, as
Angela, is a remarkable actress.” – Joe Straw
"Kampf conveys a focused sensitivity that masks unsettling power." - Los Angeles Times
“11, SEPTEMBER seems to be developing into a May/September love story, only to take several unexpected twists and turns. The play keeps going deeper and deeper into character... fate, coincidence, secrecy, murder, sexual abuse and chaos are just some of the things that have affected the lives of these two damaged but decent souls.” --TotalTheater.com
“11, September revives a faith in the possibility of excellent original theater in Los Angeles - extraordinary two-person cast, imaginative and wonderful use of words and space. If you are an actor, you must see this play - the work of these actors will ground and inspire you. If you are a writer, you must see this play - these actors and their talent will compel you to write. If you are weary of prepackaged, blandly acted television and film stories that pander to the lowest denominator, you must see this play - your intellect and sense of humanity will thank you. In sum, you owe it to yourself not to miss the acclaimed Breadline Theatre Group's first production in LA!” --Jaisey Bates
"We absolutely LOVED the play! [Paul] was incredible and the writing was phenomenal. I am an author and so, I appreciate writing that moves and inspires...Absolutely use my comments. I will tell everyone I know about the show. We see a lot of shows and this is truly one of the best we've ever ever seen!" --Lysa
"A rising tension from the violence in the air and some very intriguing inter-connections add to the play's capacity to entrance, and Chris Cash's musical compositions help segue the many scenes with a delicate solemnity, giving the event a cinematic feel." -- LA Weekly
"Kampf and Rebert's performances are on the nose... This production, by Chicago's Breadline Company, of which Kampf is a founder, shows the capability of this company." -- Reviewplays.com
